Prompts
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Make this ultra hyper-realistic anthropomorphic frog character suspended mid air as if falling upward,
body tilted horizontally, slightly rotated on its axis,
arms and legs relaxed and slightly bent,
fingers naturally separated and drifting with subtle motion.
The frog appears completely weightless,
with realistic inertia and airflow interaction,
clothing and accessories reacting naturally to the wind and gravity shifts.
Ultra hyper-realistic amphibian skin with subtle pores, micro bumps and organic imperfections,
slightly moist glossy surface,
natural green, olive and yellow tonal variations.
Large protruding frog eyes with wet reflective coating,
deep realistic iris,
calm, confident, iconic expression.
Outfit details:
The frog is wearing a light blue cardigan jacket with accurate fabric texture and natural weight,
visible stitching, seams and buttons,
a small white fabric patch sewn on the chest with visible thread.
Red fitted pants with natural cloth tension and soft folds.
Accessories designed for cinematic zoom-ins:
– A medium-sized backpack worn on the back,
dark brown leather or canvas material,
slightly worn texture with subtle creases and patina,
leather straps tightened across the shoulders,
metal buckles catching rim light,
the backpack gently pulling backward due to airflow.
– A small metallic keychain attached to the side of the pants,
subtly swinging in the air,
engraved text reading “Bad Bunny”,
brushed metal surface with soft, realistic reflections.
– A small Puerto Rico flag tied around the wrist like a bandana,
fabric edges slightly frayed,
waving gently in the wind,
colors clearly readable but naturally integrated.
Footwear:
Soft indoor slippers (pantuflas),
light blue plush fabric slippers with slightly padded volume,
visible fabric fibers,
clean white five-point star centered on the top of each slipper,
subtle rubber sole visible from the side.
Environment and lighting:
The frog is floating against an open open sky during golden hour,
intense backlit sunlight positioned behind the subject,
creating a dramatic silhouette and strong rim light outlining head, body, limbs and backpack.
Warm glowing highlights along skin, fabric, leather and metal edges.
Soft bloom around bright areas,
subtle volumetric light rays cutting through thin clouds,
cinematic atmospheric haze.
Composition and camera language:
Minimalist composition with strong negative space,
subject isolated against sky,
calm yet surreal mood.
Realistic physics, natural airflow interaction with clothing, backpack and accessories,
shallow depth of field,
editorial photography style,
cinematic realism,
ultra realistic, high detail,
muted but warm color palette,
film-grade cinematic look.
Using the attached image as the exact scene reference,
recreate the same environment, camera position, lens perspective,
lighting conditions, and sky atmosphere.
Keep the camera completely static and aligned on the same vertical axis.
The subject is now an ultra hyper-realistic anthropomorphic frog character,
positioned extremely high above the current location,
hundreds of meters in the air,
appearing very small and distant against the open sky.
The frog figure is tiny, almost a silhouette,
suspended mid fall directly above the same spot below,
with a horizontal body orientation and slight natural rotation,
arms and legs subtly bent and relaxed.
Despite the distance, the character retains recognizable shape and iconic silhouette:
a frog head with protruding eyes,
a medium-sized backpack visible on its back,
and small accessory details subtly readable when zoomed.
The frog is wearing:
a light blue cardigan jacket,
red fitted pants,
and soft light blue indoor slippers with a white five-point star on top.
Accessories remain physically accurate and scale-consistent:
– A medium-sized dark brown backpack worn on the back,
slightly pulling backward due to airflow.
– A small metallic keychain attached to the pants,
engraved with the text “Bad Bunny”,
swinging subtly.
– A small Puerto Rico flag tied around the wrist like a bandana,
moving gently in the wind.
The sun sits far below the subject,
creating strong backlighting and atmospheric haze.
The frog appears mostly silhouetted,
with faint rim light outlining the head, limbs, backpack and footwear.
Vast negative space dominates the frame.
Only the single frog figure and the open sky remain.
No aircraft, no jets, no additional elements.
Natural sunlight diffused through clouds,
realistic scale and distance perception,
cinematic realism,
ultra realistic,
calm, surreal mood,
editorial photography style,
film-grade atmospheric depth.
Extreme close-up cinematic shot of a metallic keychain attached to red pants,
engraved text reading “Bad Bunny” clearly visible.
The keychain gently swings in slow motion,
reacting naturally to airflow,
brushed metal surface with subtle scratches and realistic imperfections.
Strong golden hour backlight creates a glowing rim along the metal edges,
soft reflections and warm highlights.
Shallow depth of field, background completely blurred into soft sky tones.
Ultra realistic macro detail,
editorial photography style,
cinematic realism,
minimal composition,
premium film look.
Make this ultra hyper-realistic anthropomorphic frog character suspended mid air as if falling upward,
body tilted horizontally,
only the lower half of the body visible in frame.
The shot focuses exclusively on the frog’s legs and feet,
wearing red fitted pants with accurate fabric texture and natural folds,
flowing subtly in the wind.
Soft indoor slippers (pantuflas) are clearly visible:
light blue plush fabric with slightly padded volume,
clean white five-point star centered on top of each slipper,
subtle rubber sole visible from the side.
The legs appear completely weightless,
floating against an open sky during golden hour.
Intense backlit sunlight positioned behind the subject,
creating a dramatic silhouette and strong rim light outlining the pants and slippers.
Warm glowing highlights along fabric edges,
soft bloom around bright areas,
subtle volumetric light rays cutting through thin clouds,
cinematic atmospheric haze.
Minimalist composition with strong negative space,
calm yet surreal mood.
Realistic physics and natural airflow interaction with clothing,
shallow depth of field,
editorial photography style,
cinematic realism,
ultra realistic,
high detail,
muted but warm color palette.
Make this ultra hyper-realistic anthropomorphic frog character suspended mid air as if falling upward,
body tilted horizontally,
only the arm and hand visible in frame.
The shot focuses exclusively on the frog’s hand and forearm,
amphibian skin with subtle pores, micro texture and organic imperfections,
slightly moist surface with natural green and olive color variation.
A small Puerto Rico flag is tied around the wrist like a bandana,
fabric slightly frayed at the edges,
red, white and blue colors clearly visible,
the cloth waving gently in the wind with natural airflow interaction.
The hand appears completely weightless,
floating against an open open sky during golden hour.
Intense backlit sunlight positioned behind the subject,
creating a dramatic silhouette and strong rim light outlining the hand and fabric.
Warm glowing highlights along skin and cloth edges,
soft bloom around bright areas,
subtle volumetric light rays cutting through thin clouds,
cinematic atmospheric haze.
Minimalist composition with strong negative space,
calm yet surreal mood.
Realistic physics, natural airflow interaction with skin and fabric,
shallow depth of field,
editorial photography style,
cinematic realism,
ultra realistic,
high detail,
muted but warm colour palette.
Using the attached image as exact visual reference for character design, outfit, materials, lighting style and mood.
Top-down camera shot (true overhead view), looking straight down at the subject.
Camera remains fixed and stable.
An ultra hyper-realistic anthropomorphic frog character is slowly descending through the sky,
the full body visible in frame,
arms and legs naturally spread and drifting with organic motion,
hands and feet moving gently, never rigid.
The frog’s body maintains a relaxed horizontal orientation,
with subtle rotation and natural inertia as it falls.
The full outfit is visible:
light blue cardigan jacket with realistic fabric texture,
red fitted pants with natural folds,
light blue slippers with white star,
dark brown backpack on the back,
metallic keychain hanging from the pants,
Puerto Rico bandana tied to the wrist.
Behind and beneath the frog, an expansive sea of clouds fills the background,
soft, voluminous cloud formations at multiple depths,
creating a strong sense of height, scale and depth.
Golden hour sunlight illuminates the scene,
warm light diffused through clouds,
soft rim light outlining the frog’s silhouette from above,
gentle highlights on skin, fabric and accessories.
Atmospheric haze and subtle volumetric light throughout the clouds,
minimalist composition with strong negative space,
calm, surreal cinematic mood.
Realistic physics and airflow interaction with clothing and accessories,
smooth slow descent motion,
editorial photography style,
film-grade cinematic realism,
ultra realistic, high detail,
muted but warm colour palette.
Using the attached image as exact reference for character design, pose, outfit and mood.
Top-down cinematic shot looking straight down at an ultra hyper-realistic anthropomorphic frog character,
full body visible,
slowly descending through soft volumetric clouds.
The frog maintains a relaxed horizontal orientation,
arms and legs naturally extended,
appearing weightless.
A medium-sized dark brown backpack is worn on the frog’s back,
secured with shoulder straps,
leather or canvas material with premium texture,
subtle wear, creases, visible seams and metal buckles.
The backpack shows subtle signs of activation:
faint light leaking softly from the seams and zippers,
very delicate glow lines,
suggesting internal energy without being explosive.
Clouds surround the frog and backpack,
dense, layered and soft,
partially obscuring the body,
creating depth and scale.
Golden hour light diffused through the clouds,
warm highlights and soft shadows,
cinematic atmospheric haze.
Minimalist composition,
strong negative space,
surreal and anticipatory mood,
editorial photography style,
ultra realistic,
high detail,
film-grade cinematic look,
muted but warm colour palette.
Cinematic wide aerial shot of a massive stadium fully packed with people,
golden hour transitioning into night,
warm sunset tones mixed with deep blue shadows.
The stadium lights are beginning to turn on,
creating a vibrant glow from within,
crowd energy visible as a textured mass of light and movement.
High above the stadium, still below a thick layer of clouds,
a tiny ultra hyper-realistic anthropomorphic frog figure is visible,
descending slowly from the sky.
The frog appears very small in scale compared to the stadium,
almost mythical,
with a faint silhouette and subtle rim light outlining its shape.
Clouds loom above the stadium,
dense and dramatic,
creating a vertical sense of depth and anticipation.
Atmospheric haze in the air,
cinematic depth,
strong contrast between sky, clouds and stadium lights.
Epic but restrained mood,
surreal realism,
editorial cinematic photography style,
ultra realistic,
high detail,
muted but warm color palette.
Cinematic wide aerial shot of the same massive stadium at dusk-night,
same camera angle and composition as the previous image.
The stadium is now engulfed in a monumental explosion of colored smoke,
primarily deep yellow with subtle warm orange variations.
Thick smoke billows upward from the center of the stadium,
rising extremely high into the air,
forming towering columns and rolling clouds of smoke.
The smoke reaches far above the stadium structure,
almost touching the cloud layer,
creating a dramatic vertical wall of color.
The stadium lights glow intensely through the smoke,
casting golden illumination within the haze.
No frog visible anywhere in frame.
The atmosphere feels explosive but controlled,
more ceremonial than destructive,
like a ritual or manifestation.
Epic, surreal cinematic mood,
editorial photography style,
ultra realistic,
high detail,
strong contrast,
film-grade cinematic look.
Using the two attached reference images as exact scene and continuity references.
Maintain the same aerial drone camera position, angle, height, lens perspective,
stadium architecture, city background, mountains, cloouds, sky color, lighting conditions and time of day.
The scene takes place moments after the yellow smoke eruption shown in the reference image.
The massive stadium remains completely full,
stadium lights glowing intensely through dense atmospheric haze,
early night atmosphere with warm highlights and cool shadows.
Large volumes of thick yellow smoke dominate the stadium,
rolling and billowing upward from the field,
forming tall vertical columns that rise high into the air
and partially obscure the lower part of the scene.
At the exact center of the stadium,
an enormous ultra hyper-realistic anthropomorphic frog stands upright,
partially emerging from the dense yellow smoke.
The frog is clearly gigantic in scale,
its upper body, shoulders and head rising far above the smoke,
towering over the stadium structure.
The frog’s posture is calm and confident,
legs planted firmly on the field,
body upright, iconic and dominant.
Directly on the stadium field, in front of the frog and resting on the ground,
large monumental 3D letters spell:
“BAD BUNNY”
stacked above
“MEDELLÍN”
stacked above
by Metahouse Studio
The typography is bold, heavy and premium,
cinematic 3D lettering with solid volume and depth.
The letters are illuminated from within and from below,
soft glowing edges and internal light accents,
with additional stadium spotlights aimed at the text,
creating strong highlights, shadows and reflections on the letters.
The yellow smoke partially wraps around the lower sections of the text,
integrating the typography naturally into the environment,
as if the letters emerged from the same energy as the frog.
The character design matches perfectly the falling frog from earlier references:
same proportions, same materials, same color palette.
The frog wears:
a light blue cardigan jacket,
red fitted pants, with a relaxed pose.
light blue slippers with a white star,
a dark brown backpack on its back.
A small Puerto Rico flag bandana is tied around the frog’s wrist,
wrapped like a fabric strip,
its red, white and blue colors subtly visible through the smoke.
No keychain is visible.
Powerful stadium lights and spotlights cut through the smoke,
creating dramatic volumetric light beams,
strong highlights on the frog, the letters and the smoke,
deep shadows enhancing scale and depth.
No frog is visible in the sky.
The descent and transformation are complete.
Epic, surreal cinematic mood,
monumental reveal,
editorial cinematic photography style,
ultra realistic,
high detail,
film-grade cinematic look,
rich but controlled color palette.
